Untitled - man, woman and horse
Untitled - couple, woman waving
Untitled - couple, man with banjo
Untitled - man with banjo
Untitled - lady in green dress
Untitled - two horses and a man
Untitled - couple, woman in blue dress
Untitled - couple, man with red bowtie
Untitled - man, dog and cat
Untitled - man, horse and pig
Untitled - four people
Untitled - pigs
Untitled - couple, woman in red dress, man in red tie
Untitled - four cats
Photo from sljonesfolkart.com
"A person has to have some work to do, so I carve some and play the fiddle." That's been S. L. Jones's philosophy since 1967 when he turned to his youthful hobby of whittling after his first wife's death and his retirement from forty-five years with the Chesapeake and Ohio Railroad. Using his Bowie knife, Jones first carved miniature figures and animals from the local yellow poplar, walnut, and maple he gathered in the woods. Wood chisels proved more practical when he began to carve life-size busts of people and heads of animals from hardwood logs. Table-top freestanding figures, singly or in groups, began to appear in the mid 1970s. A similar evolution marks his surfaces—from unpainted early carvings in the late 1960s to the introduction of paint, stain, and penciling around 1972. By the mid 1970s, Jones used opaque paint to embellish his sculptures.
Lynda Roscoe Hartigan Made with Passion: The Hemphill Folk Art Collection in the National Museum of American Art (Washington, D.C. and London: National Museum of American Art with the Smithsonian Institution Press, 1990)
“I guess I’m famous. I get calls from people I don’t know. They have seen my work. But I would have done the carving whether or not I got famous. A person has to have some work to do.” Shields Landon Jones, quoted in Chuck and Jan Rosenak, Museum of American Folk Art Encyclopedia, 1990
Additional Links:
Smithsonian American Art Museum