Mask 1576

Mask 1576

8 x 5 inches

Mask 1584

Mask 1584

8 x 5 1/2 inches

Mask 1567

Mask 1567

8 1/2 x 5 3/4 inches

Mask 1578

Mask 1578

9 x 5 1/4 inches

Mask 1558

Mask 1558

8 x 5 1/4 inches

Mask 1581

Mask 1581

8 x 5 1/2 inches

Mask 1572

Mask 1572

8 x 5 3/4 inches

Mask 1562

Mask 1562

8 1/4 x 5 1/4 inches

Age and use of the masks are unknown.

"Looking at the Cigarette masks, I suppose that they are all from the Manueles dance in Guerrero....

Link to dance with Manueles - men impersonating hussies who provoke sex with male bystanders accompanied by men with cigarettes, pipes and crooked canes. Your Guerrero female may also be in this dance."

Mask Information Provided By:

P1000108

Bryan Stevens began to collect Mexican masks in 1987. He was initially attracted to them as folk art, particularly because the faces of Mexican masks could be beautiful, menacing, or comical. Having worked as a child psychiatrist, he was interested in people’s faces. Gradually he learned more about the dances, and became aware that these have traditionally functioned as symbolic performances , essentially as political theater, where the powerless could mock their oppressors and convey wordless prayers to God for justice.

The variety of characters and combinations of characters was another attraction; there one found straight men and clowns, animal helpers, and devils in conflict with saints. Beneath all these themes there was also likely to be evidence of hidden native religious beliefs and concerns. His background as a Unitarian Universalist allowed him to be open to such themes, often based on alternative ideas about the sacred nature of the natural world.